Best TV adaptations of Books

A lot of my beloved television shows used to be literary assets. By now, it’s a cliché to point out how often great television shows are based on books. Below, you will find 10 of my best small-screen adaptations of literary works.

I’ve surely forgotten many great shows, and I’m sure you will discuss the best literary adaptations in the comments.

10. The Leftovers

HBO (June 2014 – June 2017)

Based on the novel by American author Tom Perrotta the show chronicles life on earth after a rapture-like event that takes some and leaves others behind. The Leftovers was good when it was adhering to the source material, but great when it shook loose from it. The first season is more or less the novel, but after that, it’s all made up and blurs the line between adaptation and simple progression of the novel in a different interpretation. Despite this, the show is excellent, taking on the biggest questions of survival in a way that stays ambitious, entertaining, and deftly told. 

9. I, Claudius

BBC (1976)

A 13-part series based on Robert Graves’ novels, centering on the historian Claudius and how, in an unlikely and violent chain of events, he came to rule the Roman Empire. It’s dated, to be sure, but it’s also excellent, and it set the stage for countless sweeping historical family and crime dramas with higher production values. But even without them, it’s iconic, engaging, and vivid television.

8. The Forsyte Saga

BBC2 (1967)

Based on the Nobel Prize-winning novels by John Galsworthy, The Forsyte Saga is an epic and highly praised series traversing three generations of the powerful Forsyte family at the turn of the 20th century. Beneath the family’s grand veneer lies a festering core of troubled and brutal relations. One of the last great shows to be broadcast in black and white. Even though the books won Galsworthy a Nobel Prize, this TV show is actually better than the books.

7. War & Peace

BBC (2016)

Andrew Davies’ adaptation of Tolstoy’s War and Peace, starring Lily James, Paul Dano and James Norton, will bring one of the greatest novels of all time to life on a truly grand scale. At the center of it all stands Pierre Bezukhov (Paul Dano), a hot-headed newcomer in Russian society. His sincere good nature is a comfort to his friend Andrei Bolkonsky (James Norton): a cynical prince who longs for glory on the field of battle. Both their fates are bound to the beautiful, captivating, kind-hearted Natasha Rostova (Lily James). 

Over eight years of peace and war that will change Russia and its people forever, we meet a cast of unforgettable characters. Again and again, through marriages and affairs, battlefields and ballrooms, births and deaths, we return to Pierre, Andrei, and Natasha as they confront life’s great questions of love and destiny.

6. American Gods

Starz (2017)

American Gods is a Starz series adaption of the 2001 award-winning fantasy novel of the same name written by Neil Gaiman. The first season of American Gods debuted on Starz on April 30, 2017 looks great. Visually, it’s rich and sensual and weird—which often makes for captivating television. The second season debuted on Starz on March 10, 2019. The story is about a war brewing between Old Gods and New Gods. The traditional gods of mythological roots from around the world steadily losing believers to an upstart pantheon of gods reflecting society’s modern love of money, technology, media, celebrity, and drugs. 

5. The Haunting of Hill House

Netflix (2018-present)

First published in 1959, Shirley Jackson’s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. The greatest haunted house story ever written, the inspiration for a 10-part Netflix series directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Hutton. The show has very little to do with Jackson’s iconic novel, but that’s okay: it’s a family drama, part horror story, and definitely scary, if a little slow.

4. The Handmaid’s Tale

Hulu (2017)

The Handmaid’s Tale is an endlessly engrossing adaptation of Margaret Atwood’s dystopian novel that’s anchored by a terrific central performance from Elisabeth Moss.

Despite its creepy branding efforts and unnecessary second season, the first season of The Handmaid’s Tale is moving, chilling, and uncomfortably close to home. It also renewed everyone’s interest in the original novel, which has its upsides and downsides. But for the first season alone, it belongs on this list. 

3. Sherlock

BBC (2010-2017)

The most recent adaptation of Sir Arthur Conan Doyle’s beloved stories may not be the purest version of Holmes but it makes for fine, entertaining television with witty writing, great acting, and enough attitude to poison a small village.

2. Beauty and the Beast

CBS (1987-1990)

Oh, it’s campy as all hell, but it’s pretty well written, and yes, that’s Rob Perlman and Linda Hamilton. And you know who liked it? Jack Zipes, fairy tale expert. “They’re on to something very significant,” Zipes told The New York Times. “They found the equivalents in contemporary society—the beast as an outcast who lives with the homeless. I think it’s a fascinating way to reinterpret a traditional fairy tale and make it very relevant concerning social and political problems, the homeless, outcasts. It has a nice sense of justice. But it’s a mixed bag. My complaint is that it also uses the worst aspects of criminal-adventure television.”

1. Pride and Prejudice

BBC (1995)

The BBC’s production of Pride & Prejudice is still popular and beloved to this day. Before the world was collectively falling under the spell of Downton Abbey,  another mini-series had audiences swooning over period costumes, incontrovertible storytelling, and pithy dialogue. It was the 1995 BBC adaptation of Jane Austen’s Pride & Prejudice, about a headstrong country girl and the aloof aristocratic gentleman that falls in love with her.

It’s layered with social commentary about the role of women and marriage in the Regency era Britain and is slyly funny. It’s no wonder we can’t get enough of this book on screen.

Arthouse Cinemas You’ve Probably Never Seen

From Italian Neorealism to French New Wave, a lot of critically acclaimed cinemas have been lost in the dust of time. Here is a list of some art-house films that are criminally underrated.

Cold Water (1994)
Director: Olivier Assayas

It is a powerful drama about teenage love and rebellion. Being an autobiographical depiction of Olivier Assayas own teenage life, the film features a group of amateur actors.

Despite the fact that Assayas is obviously influenced by the French New Wave, he manages to create his own cinematic language. Cold Water is a powerful drama with decent performances by amateur actors, visually stunning scenes and a great selection of rock songs. It is an underrated masterpiece of French art-house cinema that deserves more love and attention.

The White Reindeer (1952)
Director: Erik Blomberg

It ain’t just one of the most underrated horror movies of all time, but also a classic Finnish vampire style folktale. Set in the snow-covered mountains of Lapland, this haunting horror film focus on the adventures of a lonely but quite attractive woman. This abandoned woman visits the local shaman, who lives in a creepy place, to get some help with her love life.

Directed by Erik Blomberg, this eerie vampire tale stands out as a great depiction of the breathtaking landscapes of the Finnish countryside. It is a visually stunning film with impressive black and white photography that captures excellently the captivating scenery. Besides, this moody horror film presents the superstitions and myths of the Finnish tradition. It is a unique blend of Vampire myths and Finnish folk history.

Death Watch (1980)
Director: Bertrand Tavernier

La Mort en Direct (“Death Watch”) is a slow-paced sci-fi film about human alienation and mortality. It is the film adaptation of David G. Compton’s novel “The Unsleeping Eye”. Set in a utopian future where death from illness is very rare, the film follows the story of Katherine Mortenhoe a woman diagnosed as terminally sick. Vincent Ferriman, a television producer, offers her a large amount of money to film her last days and turn her life into a television show.

Death Watch is a bleak depiction of a decaying world. It is not only a pessimistic view of a reality but also a philosophical study of mortality and human manipulation. Taking everything into consideration, it is a genuinely unique sci-fi tale that is criminally underrated. A hidden gem of Tavernier’s great filmography that is now ripe for rediscovery.

The Public Woman(1984)
Director: Andrzej Żuławski

The Public Woman (“La Femme Publique”) is Zulawski’s powerful erotic drama about human manipulation. Inspired by Fyodor Dostoyevsky’s novel “Demons” this unreal journey features an outstanding performance by the gorgeous Valérie Kaprisky as a tormented character. She portrays excellently an emotionally stressed as well as mentally unstable inexperienced actress. This undeniably the best performance by the French actress.

It is a demanding art-house film that will definitely be a pleasant surprise for those who enjoy the surreal movies of Andrzej Zulawski.

The Little Soldier (1963)
Director: Jean-Luc Godard

Directed by the legendary Jean-Luc Godard, Le Petit Soldat (“The Little Soldier”) is a triumph of the French New Wave. It remains one of the best works of the French filmmaker although this sensational film is criminally underrated.

The prolific filmmaker manages to create not only a tense political thriller with a philosophical sub texture but also an idealistic depiction of the 60s. In addition, the unconventional dialogues, the experimental handheld camera shots and the superb performances by Anna Karina and Michel Subor enhance this intense atmosphere. It is an essential Godard film that captures excellently the Algerian struggle. An unfairly overlooked classic for those who enjoy the revolutionary cinema of the French auteur.

Death by Hanging (1968)
Director: Nagisa Oshima

Nagisa Ôshima the legendary filmmaker, who has been associated with Japanese New Wave, creates another masterpiece. Death by Hanging (“Kōshikei”) is a black farce, a satirical view of the death penalty as well as a social critique of the practice of bureaucracy.

The film follows the unsettling story of a tragic Korean student who is found guilty of murder and rape. Although he is sentenced to death by hanging, the man survives to lose his memory. The executioners, some bureaucrats, are unable to figure out how to deal with this problem. In order to prove to the young man that he is guilty, they even try to recreate the scenes of the brutal killings. The rest of the film focuses on the effort by the officials to deal with this unprecedented problem, which reflects the dark side of the authoritarian social system.

The great Japanese director manages to create a remarkable film about the controversial theme of the capital sentence. It is unquestionably one of the most underrated films of the Japanese art-house movies.

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